His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. Watch here.Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. Led Zeppelin et al.” As a comment by Robert Plant made in another 1970s-era interview played for the court stated, hopefully “good will will prevail and logic will reign over the whole thing.” Jimmy Page testified on the second day of the “Stairway to Heaven” copyright infringement trial. It was a moment of actual tension in what was otherwise a relentless barrage of tedious legalese, suggesting that no assumptions can be made yet about who will prevail in “Michael Skidmore vs. Through examination of Page, Malofiy revealed that a previously unreleased version of “Stairway” – included in a companion disc of alternate mixes from Led Zeppelin IV done by Page and engineer Andy Johns as part of a recent series of Zeppelin reissues – may actually be liable under the three-year statute of limitations at issue in the case. A major point in both sides’ cases is the statute of limitations around “Stairway” royalties. The plaintiff did reveal what may be its key advantage. Led Zeppelin et al” also featured Kevin Hanson – a guitarist who has performed and recorded with Jay Z, Usher, The Roots, Jill Scott and the Isley Brothers – testifying on behalf of the plaintiff.) ” “Of the 43 different pitches between the compositions, not a single one is different,” Stewart testified. (Day 3 of “Michael Skidmore vs. Stewart also pointed out that the analyses presented as evidence by the defense’s expert witness, the noted musicologist Lawrence Ferrara, did not take into account the treble clef in the sheet music for “Taurus,” which accounts for “55 percent of the notes. Stewart also affirmed that none of the “prior art” examples have the “unique and distinctive elements” that “Taurus” and “Stairway” share, and that are protectable under copyright law. Stewart’s analysis that, in their chord progressions, both “Taurus” and “Stairway” “in an unusual way” skip the “E” before resolving on an “A” note. Under oath, he claimed that this was unlike any of the 65 “prior art” examples of compositions using similar chordal and compositional structures submitted by the defense (including Henry Purcell’s “Dido’s Lament,” the Beatles’ “Michelle” and the standard “My Funny Valentine”). More significantly, he powerfully described the close similarities between the compositions, and scrappily held his own under a tough cross-examination by Zeppelin’s counsel. Stewart cogently and clearly explained the sophisticated music theory at issue for the first time during the proceedings. The most credible, sympathetic and compelling witness to take the stand in the trial other than Page himself, Dr. Alexander Stewart, a musicologist, professional saxophonist and music professor at the University of Vermont. The Spirit/”Taurus” side may have scored, however, when they called their expert witness Dr. “The discovery has been abominable!” Judge Klausner exclaimed upon yet another such objection sustained against Malofiy. The defense also claimed that Malofiy had attempted to influence the proceedings with contracts signed by Page that had been deemed confidential during pre-trial. “We don’t believe this is an exhibition produced by us or provided to us by the plaintiff,” Anderson said about an audio recording of a vintage Page interview for the rock mag Zig Zag.Īnderson also claimed Malofiy had presented to Page a “composite document,” a batch of multiple documents combined into one – forbidden, as it obscures for the opposing counsel what’s being referred during witness examination. Led Zeppelin’s lawyer, Peter Anderson, objected about the plaintiffs not providing evidence discussed in the trial. The potential for a mistrial appeared to become an increasing possibility.
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